Tuesday, August 26, 2014

SPN 305: Introducción a Estudios Literarios -Otoño 2014: HDT1



SPN 305: Introducción a Estudios Literarios -Otoño 2014

Hoja de Trabajo: 1. ¿Qué es Teoría?

Lectura de temas teóricos:  
Mencione las ideas principales del tema
Ofrezca su comentario sobre este tema

(1)   Theory is a bunch (of mostly foreign names); it means Jacques Derrida, Michel Foucalt, Luce Irigaray, Jacques Lacan, Judith Butler, Louis Althusser, Gayatri Spivak, for instance. 2
(2)   A theory must be more than a hypothesis; it can’t be obvious; it involves complex relations of a systematic kind among a number of factors; and it is not easily confirmed or disproved. 3
(3)   Theory: designates works that succeed in challenging and reorienting thinking in fields other than to which they apparently belong. This is the simplest explanation of what makes something count as theory. Works regarded as theory have effects beyond their original field. 3
(4)   The genre of ‘theory’ includes works of anthropology, art history, film studies, linguistics, philosophy, political theory, psychoanalysis, science studies, social and intellectual history, and sociology. 4
(5)   The main effect of theory is the disputing of ‘common sense’ views about meaning, writing, literature, experience. For example, theory questions:
·       The conception that meaning of the an utterance or text is what the speaker ‘had in mind’,
·       Or the idea that writing is an expression whose truth lies elsewhere, in an experience or a state of affairs which it expresses,
·       Or the notion that reality is what is ‘present’ at a given moment. 4

(6)  Example 1: French intellectual historian Michel Foucalt on ‘sex’. For Foucalt, ‘sex’ is constructed linked with various social practices and institutions: the way in which doctors, clergy, public officials, social workers, and even novelists treat phenomena they identity as sexual..Foucalt’s analysis treats sex as an effect rather than a cause, the product of discourses which attempt to analyze, describe and regulate the activities of human beings. 7
·       An illustration of the way sex was made the secret of the individual’s being, a key of the individual’s identity, is the creation of the nineteenth century of ‘the homosexual; as a type, almost a species.
·       What we think we know about the world –the conceptual framework in which we are brought to think about the world-exercises great power. Power/knowledge has produced, for example, the situation in which you are defined by your sex. 8

(7)  Example 2: Derrida’s on Rousseau’s texts: our common sense of reality as something present, and of the original as something was present, proves untenable: experience is always mediated by signs and the ‘original’ is produced as an effect of signs. of supplements.
(8)  So what is theory”
·       Theory is interdisciplinary – discourse with effects outside an original discipline.
·       Theory is analytical and speculative – an attempt to work out what is involved in what we call sex or language or writing or meaning of the subject.
·       Theory is a critique of common sense, of concepts taken as natural.
·       Theory is reflexive, thinking about thinking, enquiry about the categories we use of making sense of things, in literature and other discursive practices.

Comentarios:
(1)  Los análisis de teóricos como Foucalt y Derrida permiten deconstruir nociones que tienen significados que parten de poder, conocimiento y experiencias en la escritura del sujeto. Generalmente los teóricos son de origen europeo y han trabajado en otra lengua que no es el inglés.
(2)  Es importante destacar que no hay nada concreto con la teoría que ha servido para analizar textos literarios. Sin embargo, las ideas teóricas han servido a esclarecer temas como el sexo y la experiencia.
(3)  Comentarios de clase???
(4)  Literary terms: Bildungsroman, novel, narrator, prose


Materiales en Youtube

Introduction to Literary Theory
Brooke Dean

Literary Theory Demistified
Dr. Lawrence J. Clark explains and demystifiies the origin and major concepts of 20th Century Literary Criticism. Dr. Clark begins with Plato and Aristotle, then moves forward to Sarejit, M. H. Abrams, and literary theories such as formalism, new criticism, feminism, marxism, new historicism, etc.This is an excellent resource for anyone, whether student, professor, or layperson, who has previously found these concepts difficult to grasp.




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